Category: DEFAULT

Shootouts

shootouts

Bei All-in-Shootouts handelt es sich nicht um reguläre Turniere, die aktiv gespielt werden. Vielmehr ist der Ausgang völlig zufällig und wird ausschließlich von. Viele übersetzte Beispielsätze mit "shootout" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. Shootout. Shootout (Schlacht), mit Waffen ausgetragene Auseinandersetzung ( siehe Western, manchmal der Showdown); Shootout – Keine Gnade, Actionfilm. Pointing the antenna more accurately, the LT was able to capture this signal but with more noise. Needless to say, there were some were strange signal conditions during this review. This is the first time I europlace casino listening to AM stereo. Shootout woes trip Worcester; Needed points lost in setbacks. On our weak station, All the livescore bundesliga fussball from Norway, the Tandberg A is an attractive tuner. The only caveat was that on weak stations with background noise, the noise was more noticeable on the Accuphase than on the LT - paypal guthaben downside shootouts those more extended highs. At first, all I noticed was that everything got louder, but the more I worked with it, the more I got the feeling that it made the music kind of shout at me. I could live happily with either of these handball englisch übersetzung. The LT wins again! For a real jump in sound quality, however, the audio op-amp should be upgraded. It tries so hard not to offend and for that reason it did. A shootout often, but not necessarily, pits law enforcement against criminal elements; it could also involve two groups outside of law enforcement, such as rival gangs. In narrow mode, both tuners held a cleaner signal but the Sansui enchanting deutsch more occasional noise as its stereo light flickered.

This one sounds pretty darn good! The bass is slightly tubby-sounding compared to the LT but still a pleasant, rich sound. The midrange is realistic and the front-to-rear imaging is very good.

The soundstage is slightly forward of the speakers compared to the LT. All in all, the was a most enjoyable listen. I give it a high rating and now want to modify one.

I am very impressed with its sound compared to the more expensive toys. Please remember that none of these shootout tuners have seen an alignment in years, as far as I know, with the possible exception being the Mac MR I veered from the shootout format to see which one really had the better sound in a one-on-one while the LT slept.

To have a little fun, I had my wife plug in the RCAs and set the volume of the variable output of the Sansui to match the fixed output of the Luxman.

Tuner A had a slightly richer bass and the imaging was excellent. Tuner B gave a sweeter presentation to the music and the imaging was very good. It could come down to the music being played.

For classical, jazz, etc. If you could take the best qualities of both and put them together, you would be very close to the LT, I think.

It really hurts to publish this but I would ultimately choose the Luxman between these two. Time for some upgrades!

The display is a dull yellow-orange, a neat trick Technics accomplished with an orange plastic screen over your typical dull blue VCR-type readout.

The face is a no-frills, clean, dark military greenish-brown. Left to right, the controls are Power, Station Selector, Mode, Auto Hi-Blend, two pushbuttons marked Up and Down to scroll for a station, and finally an analog-type knob for tuning.

His system there consists of large Jeff Rowland Design Group Model 7 amps and Coherence 1 preamp with Hales speakers - very different from my homemade 7-watt triodes and small JMlab speakers.

I continuously chose the Luxman over the Technics in a blind listening test, but Jesse leaned toward the Technics. The bass of both was very close, very close.

The treble was smooth and controlled, again close to the sweetness of the LT. The height and depth of the soundstage was smaller.

They will deliver whatever good ancillary hi-fi equipment can dish out. I give this little tuner a high ranking, but the winner is still the LT.

Well, I had to know. Was there something special inside the ST? First, it was a pain to get into - pretty tricky, and the ribbon cable is soldered in so you have to be very careful in there.

The something special I found was a very short signal path from the audio op-amp to the output jacks, followed by bipolar 3. These were not directly in the signal path.

The not-so-special was the op-amp and steel leads in the coupling caps. I think the short and sweet signal path was part of the magic at the lows and highs, but the op-amp caused the not-so-wonderful midrange when the ST was thrown up against the LT or the Luxman T Naim NAT 01 Winner: This is an older, two-piece tuner.

The tuner is the Naim NAT It also takes the signals from these same three and sends one to a proper preamp via switching controls on the front.

The tuner can also bypass this switching and go direct to your preamp, which is how I listened. The midrange was more one-dimensional and had a diffuse sound to it.

The soundstage was taller than the LT and more laidback meaning more to the rear of the speakers. The highs, as said, were non-fatiguing.

There are NO controls on this model: And it drifts off channel from time to time. It tries so hard not to offend and for that reason it did. This is a very attractive tuner, for a digital.

A inch rack mount, gold tone, black handles and pushbuttons, colorful display, serial no. I was a little worried when this one was presented to me for review.

Many tuner fans reading this know there are some very polarized opinions on the Charlie - some think there is nothing better, some hate it.

I found nothing that really irritated, and there is a midbass punch that will attract you. Going into the upper midrange and treble, the Charlie never irritated as some tuners do with spit or sibilance.

Maybe to a fault. This may be one area where the LT gets some of its lifelike excitement. This has become a good test to pit the sensitivity of other tuners against the LT.

The F is a very upscale-looking tuner - gold accents, orange display, and polished-looking wood side panels. Well, this was a tough one. And that is still my impression.

The F has an articulate midrange, and the treble is more forward but not irritating. In my small listening room, I preferred the LT. Emails with certain members of the group forced me to put a little extra effort into this one.

On music, this presented deeper bass and a more extended, forward treble. In a large room, in a big sound system, I might choose this Pioneer over the LT.

I put it below the KT on the overall list for my small listening room choices. I was so impressed by the sound of the Technics ST that I bought an ST on eBay to see if I could get away with, hopefully, a cheaper version.

When it comes to sound, you could do much worse. The eagle-eyed among you might catch that these two Technics outgunned the Kenwood KT, which uses the same audio op-amp.

Also, the has no mechanical switching along that path. The result is a noticable improvement in sound through design, whether intentional or accidental.

You can also forget the class A bias mod on this model because of this power supply. I plan to experiment with better op-amp and capacitor choices soon - keep tuned in.

Winner of this shootout: Good looks and cheap. This straightforward little guy has only 3 gangs and 2 filters, no bells and no whistles.

DXing of weak stations was good when the APS-9 was pointed directly at the station. On the weakest signals, there was more background noise compared to the LT.

On spoken voices DJs and commercials , you can hear extra sibilance compared to the LT. All things taken into account, I was very impressed - a very enjoyable sound in an inexpensive tuner for those with a good antenna, or at least close, strong, good FM stations.

Also the TU, with the exception of one I once had that sounded thin may have been out of alignment. Anyone who likes this look and likes good sound, but is budget-minded, should shop here.

I rated the low only because it does need a good signal for a quieter background. Winner of the shootout: Nikko Gamma V Winner: Another nice digital tuner.

My old girlfriend, Anna Log, is very jealous. An old friend of mine from work bought a new truck and we took our ladies "antiquing" in it. In his new truck is a real nice stereo.

He keeps the bass and treble cranked all the way up and loves the sound that way. At the end of the day, I had a real headache.

Just a little note as this review begins and the first thing you hear is Comparing the two reminded me of the difference between the first generation Infinity EMIT ribbon tweeters and the last ones made.

Both were good tweeters, IMO, but the delicate highs presented in the last series were the best. Winner of the shootout, the LT.

The circuit board is accessible from the top and bottom. There is a relay after the the op-amp. I have no schematic to confirm these observations.

Some DX observations across the dial: Worth, lots of noise in stereo on the Nikko, while the LT was fine, with both tuners in narrow mode.

A big name for a big tuner. Not much inside, though - it looks like a kit that a pre-teen could build. The overall sound reminded me of the Kenwood KT, but thank goodness the Phase Linear did sound better.

I never felt the need to turn it down. The soundstage favored the midrange but was pleasant enough. It did have bass but it was somewhere between running out of gas and running on empty.

You get a thump instead of feeling the bass as in the LT. All in all, the sound was pleasant and not irritating except for the bass presentation.

This model has a dynamic range expander switch that gives 0 db, 4 db or 9 db of expansion. At first, all I noticed was that everything got louder, but the more I worked with it, the more I got the feeling that it made the music kind of shout at me.

DX results showed the Phase Linear capturing my test stations on This power hungry monster uses 13 thirteen! Sixty watts probably was coming from these lamps.

A note on the surprisingly pleasant sound: Inside, I see only film caps along the audio path, with no electrolytics between the MPX chip, audio stage and output.

Now, I wonder if I pulled about half those lamps and beefed up the power supply? Would the bass come into its own?

This time around we have a very attractive Pioneer. The TXII gave a clean sonic presentation. Silibance was not irritating, and the midrange was articulate and pleasant.

Imaging was good but lacked the sense of depth of the LT. Where the TXII stumbled was in the lower midrange and bass area.

The LT consistently gave more body to the music and a sense of power in the bass. The audio amp is a multi-function leg PA A quick look at the service manual invites some possible DIY improvements.

The final sound of the II gave a more fleshed-out midrange and an even sweeter treble. Worth, west of me, and On this rainy afternoon the II held its own, capturing On another day, swinging the APS-9 toward the east on The LT was able to dig through the muck and grab some classical music, weakly, but the Pioneer could capture nothing at It has really brought in more stations with less noise for me.

To summarize, the TX impressed, but the winner, as before, is the LT. This shootout will be longer than most as I give more information on the weak DX test stations.

The scope can also be used for fine tuning. The intense blue lighting of the dial and scope contrasting against the red indicators will appeal to many.

Rotating my APS-9 antenna around the area gave these results. Looking northwest to And on one particular night, I had to stop testing and listen to some really good jazz for an hour.

Sometimes, you just get lucky. In the same direction is another weak station at I was picking up more noise on the Marantz here.

Next, I turned the antenna west, to the low-powered Texas Christian University station, Capturing an acceptable signal here has been a good test for the shootout tuners.

Surprisingly, both tuners did well on this night of DX tests. There was a cloud cover which may have helped. The Marantz had much more noise in wide mode that the LT did in wide.

Searching directly east, I could grab Maybe this summer I can relocate my antenna system to avoid facing into the giant tree in our yard.

I really want to open up the signal path toward east Texas. It was jazz week while testing these two and I tripped over another college station at As far as sound quality goes, the Marantz had a forward, one-dimensional sound.

While never irritating or unpleasant, the midrange and treble had a light tonal quality that never made me forget that I was listening to a radio.

There was also more hiss in the background with weak or problem signals compared to the LT. On the plus side, the Marantz pulled in the hard-to-grab college stations in narrow mode but not as cleanly as the LT.

The LT easily won this one-on-one shootout. The Kenwood KT was a pleasant surprise. This time around, I had the chance to listen to two stock s and found no real unit-to-unit differences.

It was an enjoyable experience throughout the listening sessions. I expected sound close to the KT that I rated so low, mainly because the KT uses the same op-amp at the output, but not so!

The differences in circuitry upstream must be doing the trick. Against my standard LT, the soundstage presented itself slightly in front of the speakers from the upper midrange through the treble.

The dynamics that I found missing in the KT were there in the and made listening to music more enjoyable throughout the tests.

The imaging of the was precise and pinpoint, not slightly diffuse like the TU-X1. Maybe as part of the slightly "forward" upper range, you lose some of the three-dimensional sound quality found in the LT.

On the plus side, the had more front-to-rear depth than the or even the KT Bass was good and dynamics were surprisingly good. The sibilance was there, but mild, and not as bad as on some previous test tuners.

Tests on weak stations around the dial showed the KT to be a good DX machine. Weak stations on Listening in on the weakest local station at The was definitely noisier than the LT, both in wide and narrow mode.

Strangely, there was some noise always present with either tuner That sounds like a dirty or well-used record.

In wide mode, both tuners heard noise and interference from Not so with the Overall, as nice a tuner as the KT is, the LT must come out on top again.

This time we have the black version of the AH I was apprehensive about the touch controls, which seemed like a gimmick waiting to go wrong, but they worked flawlessly throughout the time the tuner was in my system.

Time to cut to the chase. This is a wonderful-sounding tuner. I listened for hours without any thought of sonic faults. On casual listening, the Philips was very close in its sonic signature to the LT.

I had to spend a lot of time to squeeze out any differences between the two tuners. There was just a hint of more bass extension from the LT, impossible to notice without long listening sessions and an aural magnifying glass.

More noticeable was the added "life" in the highs. If other samples sound this good, I highly recommend this tuner in stock form. It usually stayed as quiet as the Kenwood, but lost its large stereo soundstage.

There is obviously a high-blend type circuit causing the collapse of the soundstage, probably the "automatic noise canceling circuit," which is actually not a bad thing to keep the signal quiet.

To sum up, with a strong signal present, the two tuners fought an even battle. On weaker stations, the LT proved to be a slightly better all-around tuner.

Nonetheless, the Philips is highly recommended as a great music machine. It looks pretty neat. In fact, it dazzles. There are no glaring, unpleasant sonic problems.

What I did hear or actually, did not hear, were low-level details in the music. Ambiance and low-level detail were diminished compared to the LT.

As a matter of fact, the more I listened, the more I was reminded of the pleasant sound presented by the Sequerra Model 1.

You lose some bass and gain some treble extension with the SAE, but I do hear a mini-Sequerra in there. Turn it on late at night, choose a nice wine and enjoy the tunes.

And here is a nice benefit of owning one: There was more background noise on the weaker stations compared to the LT, but not as bad as some tuners in the shootouts.

This tuner is the second of the the shootout contestants to have a known, good alignment, thanks to Bob. Nothing has been modified and no parts have been changed.

Fortunately, it sounds better than the first aligned tuner, the Mac MR As usual, there were no noticeable problems at It held the signal fairly steady in narrow.

Going degrees away from KTCU on The sound presented during the listening tests to this weak signal showed up as harsh sputter as the F tried its best to grab and hold onto the signal.

I had hoped for better DX performance from the F because, for some strange reason, I like the looks of this tuner.

Now for the sound. Here, we get to smile again. In treble sweetness, extension and ambient information, this is the second shootout tuner that, I feel, outperforms the LT - the first being the Philips AH These two tuners just get it right in the treble.

Boy, if I could tack this ability onto the already wonderful sounding LT As far as the midrange goes, both the F and LT held up well with articulate, focused images.

The only area where the F disappointed was in the lower midrange. That being said, the bass itself was nice and punchy on my system.

I need to stop here to express how impossible this job would be without the LT being used as our standard, my benchmark for sonic neutrality and musicality.

The job could still be done but I would probably have less defined increments of sonic neutrality to post. Maybe it would be more of a clumping, something like "these seven sound good, but these nine I could live without," etc.

Magnum Dynalab MD Winner: They forced me to put this drop-dead gorgeous Magnum Dynalab tuner in my system and demanded that I listen to it.

As before, the volume level was set to closely match the two tuners through the midrange. Because we can try different output tubes, this can be a chameleon of a tuner.

The typical buyer will most likely be tempted to do some "tube-rolling" and I, as the reviewer, was no different. The stock tubes were not available for use as one arrived broken shipped from a third party, not from Magnum Dynalab.

The first tubes tried were two smooth plate Telefunkens. After warm-up and settling in, I first noticed a midrange with excellent lifelike imaging.

The lifelike quality of voice and instruments made me sit up and listen. On some recordings of female voice, there was a feeling that the singer was in the room.

This was quite a surprise as I had expected a more lush "tube-like" sonic presentation in the lower ranges. Before the arrived, my assumptions were it would have a Mac MR 67 or Marantz 10B-type sound quality.

Did Magnum go out of their way not to overdo the "tube sound"? But when I tried a pair of s marked Sylvania, I heard a change for the better.

The lower midrange fleshed out somewhat, the bass seemed fuller, and there was some taming of the high frequencies.

A very nice sound but, unfortunately, still not my favorite among the shootout tuners. I wish I had a pair of RCA black plates available for more tube-rolling.

When I looked inside I noticed two. Some people say they give more detail but to me, they always give a lighter, brighter sound to the music.

I believe these caps create "detail" not originally in the music. Would I finally fall in love? Maybe, but in the meantime, the LT wins again.

I give the MD a high rating, mostly because of the excellent midrange presentation. Turning to DX qualities The Magnum Dynalab has three IF bandwidths.

While rotating the antenna around the DFW area I was impressed by the stiff competition between these two tuners. On our weak station, Worth, both held on pretty well in wide mode and both were listenable and enjoyable in narrow.

There was more background hiss in the MD but more interference from One reason may have been that hailstorms tore half the leaves off the giant magnolia tree in our backyard and the APS-9 had a much cleaner line of sight.

No new problems were noticed from either tuner on the other usual DX experiments and neither tuner came out the clear DX winner. Another dream tuner for the budget-conscious.

Another tuner that sounds great stock. That makes my job of reviewing just that much harder. I want to listen to some bad-sounding tuners soon - well, maybe just one.

This slim black Sansui has a very articulate midrange with good imaging. There have been somewhere between 50 and nice-sounding tuners that have found a temporary home in my audio system since the formation of TIC.

Many of these tuners have been digital. Tuners that tweak crazies like me could just leave alone, if that were possible. At the time of this writing I would be able to live with the top 13, if I had to, without mods.

The DXing was as follows. The TU-D99X picked up nearby weak stations when the antenna was correctly positioned. It and the LT both picked up To the northwest, Pointing east on The LT ignored As a matter of fact, I caught myself listening instead of reviewing quite often.

The faults I found were faults of omission rather than any glaring problems. This sample of the T-2 had a lot of drift, which lasted for a good 5 minutes after turn-on.

I wonder if this is a common problem with this model? After matching the volume of the two tuners through the midrange, I got the following sonic results.

When cranking it up, the bass energy in the room went deeper with the LT - more palpable, to use an overused audiophile term. There was a slight loss of harmonic richness to instruments in the T-2 compared to the LT.

I first noticed this with the strum of an acoustic guitar. The highs, although never unpleasant, were a little more pronounced. Again, I must say the differences were subtle but noticeable in side-by-side testing.

Spinning the FM antenna around the area gave these results. Our true test at Now here was a shock: On this day, the LT was intermittently swamped by Going to narrow mode on the LT reversed the results and the Kenwood gave a better signal than the Yamaha.

Both came in with good stereo lock but the Yamaha had more noticeable background noise. Going degrees out from The Yamaha had trouble in any configuration, being swamped by There have been quite a few more desirable tuners reviewed in these shootouts, but this Yamaha may very well be THE cutoff tuner between the keepers and the also-rans.

I have an interesting history with the FT series of MD tuners. I have owned four or five of these tuners, dating back 12 or so years. The most expensive one was an Etude, a demo unit that I bought from a high-end store.

The first one was the most pleasant-sounding of the bunch, and the Etude was the brightest-sounding of the bunch.

Now on to the Etude under test. There was nothing objectionable in this sample from the low bass through the highs.

It was a pleasant enough sound throughout. Pitting the Etude against the LT gave the following results. The LT had a richer, warmer sound from the bass through the lower midrange.

This Etude sample should satisfy most listeners. For a real jump in sound quality, however, the audio op-amp should be upgraded.

There is room inside. Even in narrow mode the Etude had the cleaner signal. Swinging the antenna degrees to the east but leaving the tuners centered on Yes, I did fiddle with the dial to fine tune the stations.

The Etude seems to be more sensitive but not as selective as the LT. On our other test stations on Being suspicious of my first results, I revisited the DX tests on different days and nights as well.

The results were always consistent except I noticed that the LT sometimes had a quieter background. One note of interest is KOAI, at This station almost always has more background noise than other strong stations, as well as noise problems in general.

The LT was able to keep the background noise quieter than the Etude, but keep in mind that this has almost always been the case when other tuners were under test.

After the review, this sample will go under the knife soldering iron in the hopes of making it a better tuner. On KTCU, our weakest local channel, both tuners were able to grab and hold a usable signal in narrow.

The Realistic was noisier and the stereo light would occasionally flicker. On the other weak stations used as tests, there were no real problems.

On the always problematic This little guy was also a pleasant surprise in the sound department, at least when a strong signal was present. The highs were sweet and never irritated.

You had to dial very slowly and gingerly to stop on a station. The one now under review is no better: On the strongest stations, the sound was good, with good bass through the highs.

The sound was more diffuse than the LT, which has great imaging. Not recommended - lowest overall rating so far.

The creme de la creme, if you will, that really defy me placing one above the other. This "cream" deserves a special mark but they have to do everything right, even if they sound slightly different from one another.

They must have deep bass, an articulate, pleasant-sounding midrange, and sweet, non-irritating highs. The -C- will be strictly for sound, while the old order may include other thoughts and observations.

I could tell from the first time I turned on the B that this was going to be a good fight. This Revox has a rich, full bass, while the midrange was very lifelike and a pleasure to sink into.

A definite improvement over the highs of the Revox B reviewed above. The whole sound was slightly more diffuse than the sound presented by the LT.

It was a very close match between the two as far as musical enjoyment, and the final decision came only after hours of listening to both.

Things are getting real tight at the top as more good tuners are brought into this shootout. Turning to the DX track, at The Revox has no wide and narrow but did catch and hold the signal with much more noise.

Switching to mono helped very little. There was no jazz to be heard on The ReVox was able to control the background noise as well as the LT on Could there be more than one path to audio bliss from these tuners?

Just a few thoughts after listening to so many tuners in my role as reviewer. Times are tough, listener-ship is down and Casey needs to come up with a plan to save his radio station, WTYT , and fast!

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Learn more More Like This. Magee was severely injured, but survived the battle and was sentenced to life in prison. One juror and the D.

One of the weapons used by Jackson was later traced to Black Panther icon Angela Davis , who was later tried but acquitted for participation in the crime.

It was later alleged by a Marin General Hospital doctor that Judge Haley was being treated for a brain tumor and should have been recused from trying cases for health reasons.

This remains one of the largest police shootouts in history with a reported total of over 9, rounds being fired 5, by police, 4, by the SLA.

Every round fired by SLA members at the police missed the officers. During the incident, police fired tear gas into the house, unintentionally starting a fire.

All six SLA members were killed, either by police bullets or the fire. The massacre took place at 2: A longstanding feud between two rival Chinatown gangs , the Joe Boys and Wah Ching , came to a head when a botched assassination attempt by the Joe Boys at the restaurant led to 5 civilians, including 2 tourists, being killed, and 11 others injured.

MOVE was a back-to-nature, anti-technology group in Philadelphia , Pennsylvania in the s and s. They were involved in two shootouts with the Philadelphia police.

August 8, , Powelton Village. During an attempt to forcibly remove the group from the home in which they were living, a shootout took place between the police and the group; one police officer was killed.

Nine of the group members were tried and sentenced for murder. May 13, , Osage Avenue. About 10, rounds of ammunition were fired by the police.

The police dropped a bomb on the house, starting a fire which burned down 62 houses and killed 11 people.

Prolonged shootout and chase between police in Norco, California, and five heavily armed bank robbers wearing military-style fatigues and armed with assault rifles , thousands of rounds of hollow-point bullets as well as various explosive and incendiary devices.

Police responded to a bank robbery call in Norco. Upon arriving the police were ambushed and outgunned.

After the robbers unloaded over rounds at police cruisers, the officers were forced to retreat behind their cruisers or nearby obstacles, all the while being fired upon.

The suspects attempted to escape in their own vehicle. During this attempt, the driver of the suspects was killed by a stray police shot.

The suspects then hijacked a nearby vehicle and became involved in a prolonged chase, in which the suspects shot at police and disabled and destroyed 33 police vehicles as well as civilian cars with explosives thrown from the back of a truck.

The suspects also disabled a police helicopter by shooting at it. Later, the suspects lay in wait for police as they chased them, and ambushed them, resulting in the death of a police officer and wounding 2 others.

Heavily outgunned, the police were pinned down until one officer arrived with an AR carbine. After the police engaged the suspects with the AR, the suspects fled.

One of the suspects was killed in the shootout, one during a later standoff with the police the next day, and three were later captured.

An attempted armed robbery of a Brinks armored truck by members of the Weather Underground and Black Liberation Army resulted in a shootout and the deaths of 2 police officers and a Brinks security guard in Nyack, New York.

The robbers, wearing body armor and equipped with assault rifles, initially ambushed the armored truck when it was parked at a shopping mall, killing Brinks guard Pete Paige and wounding his partner.

Four of the robbers were arrested during their escape attempt, and more than six other people involved were arrested in subsequent investigations over the next several years.

The last arrest was made in After 30 hours of negotiations, a Memphis Police assault team raided the house and shot and killed Sanders and six of his followers, after which they found the body of Officer Hester beaten to death.

Tax protester Gordon Kahl traded shots with U. Marshals when they attempted to arrest him in Medina, North Dakota. Gordon Kahl was killed in a shootout with federal agents and the local sheriff in Smithville, Arkansas , in the house where he was hiding out.

The event became one of the most famous shootouts in American history, with 10 participants 8 FBI agents and two suspects , roughly rounds fired, and four deaths.

It took a total of 18 hits 6 on Matix, 12 on Platt to bring the gun battle to an end. From to , Los Angeles watch merchant Lance Thomas was involved in four shootouts with armed robbers.

In those four events, he killed a total of five and wounded another, while also being shot a total of five times.

Thomas survived each shootout without permanent injuries, but eventually chose to close his store to avoid further bloodshed.

Marshals armed with sniper rifles and Ms shot it out with survivalist Randy Weaver and his family in the wilderness near Bonners Ferry, Idaho.

February 28—April 19, Heavily armed members of the Branch Davidian sect engaged federal agents of the BATF in an intense firefight during a raid of their compound building, initiating a day siege by the FBI near Waco, Texas.

The only deaths were the two bank robbers, Larry Eugene Phillips, Jr. On August 19, , Carl Drega, a New Hampshire resident who had long been in conflict with the government over alleged land code violations, opened fire on NH state trooper Scott Phillips after he was pulled over for a routine traffic stop.

After this, Drega drove home to set his house on fire, then drove to Vermont where he opened fire and critically injured a Vermont trooper who had followed him after identifying the stolen NH police car.

Eventually, Drega abandoned the vehicle at a Vermont farmhouse and ambushed a group of law enforcement officers from multiple agencies who had been sent to track him down.

During the massacre, school shooters Eric Harris and Dylan Klebold exchanged fire with Denver police three times. Although 12 students and one teacher died, 21 others were injured and both the shooters committed suicide that day, no officers were killed or injured.

Estrada was shot in the head and died; her son was shot in the leg but recovered. Arroyo began trading gunfire with the officers, who were armed only with pistols, and forced them to retreat, wounding several of them.

Afterward, Arroyo jumped in his pickup and led police on a high-speed chase, exchanging gunfire along the way. Arroyo was eventually shot and killed by a responding officer armed with a CAR rifle.

Shootouts and ambushes every night. Dabei wird durch die Luft gesprungen, auf Montagerollen entlang gerutscht, ein komplettes Treppenhaus hinunter gesprungen und das Ganze ohne Kratzer für Smith und den Säugling. Test - Top oder Flop? Warner Selbst in ruhigen und dialoglastigen Filmen steckt gerne einmal die eine 2 liga türkei. Von Kiril Neuer Benutzer. Der Thriller bleibt der Action meistens fern, doch zum Ende hin, als ein Banküberfall am hellichten Safari spiel schiefläuft, zeigt der Streifen seine verborgene Action-Ader.

Director Patty Jenkins shares what it was like returning returning to set and reuniting with Gal Gadot for Wonder Woman Economic collapse causes widespread rioting and social unrest, leaving a lovesick year-old girl struggling to care for her siblings in a stretch of woods bordered by lawless anarchy, Based on a true story of action superstar Conan Lee, "I Love Mom" is a story of how a son sacrificed his entire life to learn how to cure his gravely ill mom.

After 17 years of struggle, he Stuart Sagle is leading in the race for Governor of Texas, but a fling with a prostitute threatens to derail his campaign.

His biggest supporter, his uncle Bill Sagle, has a plan that puts A woman searches for her missing son in a remote wilderness with the help of her estranged husband and a Native American friend.

When an evil creature starts to hunt them, their journey becomes a fight for survival. Times are tough, listener-ship is down and Casey needs to come up with a plan to save his radio station, WTYT , and fast!

It held the signal fairly steady in narrow. Going degrees away from KTCU on The sound presented during the listening tests to this weak signal showed up as harsh sputter as the F tried its best to grab and hold onto the signal.

I had hoped for better DX performance from the F because, for some strange reason, I like the looks of this tuner. Now for the sound. Here, we get to smile again.

In treble sweetness, extension and ambient information, this is the second shootout tuner that, I feel, outperforms the LT - the first being the Philips AH These two tuners just get it right in the treble.

Boy, if I could tack this ability onto the already wonderful sounding LT As far as the midrange goes, both the F and LT held up well with articulate, focused images.

The only area where the F disappointed was in the lower midrange. That being said, the bass itself was nice and punchy on my system.

I need to stop here to express how impossible this job would be without the LT being used as our standard, my benchmark for sonic neutrality and musicality.

The job could still be done but I would probably have less defined increments of sonic neutrality to post. Maybe it would be more of a clumping, something like "these seven sound good, but these nine I could live without," etc.

Magnum Dynalab MD Winner: They forced me to put this drop-dead gorgeous Magnum Dynalab tuner in my system and demanded that I listen to it.

As before, the volume level was set to closely match the two tuners through the midrange. Because we can try different output tubes, this can be a chameleon of a tuner.

The typical buyer will most likely be tempted to do some "tube-rolling" and I, as the reviewer, was no different. The stock tubes were not available for use as one arrived broken shipped from a third party, not from Magnum Dynalab.

The first tubes tried were two smooth plate Telefunkens. After warm-up and settling in, I first noticed a midrange with excellent lifelike imaging.

The lifelike quality of voice and instruments made me sit up and listen. On some recordings of female voice, there was a feeling that the singer was in the room.

This was quite a surprise as I had expected a more lush "tube-like" sonic presentation in the lower ranges. Before the arrived, my assumptions were it would have a Mac MR 67 or Marantz 10B-type sound quality.

Did Magnum go out of their way not to overdo the "tube sound"? But when I tried a pair of s marked Sylvania, I heard a change for the better.

The lower midrange fleshed out somewhat, the bass seemed fuller, and there was some taming of the high frequencies. A very nice sound but, unfortunately, still not my favorite among the shootout tuners.

I wish I had a pair of RCA black plates available for more tube-rolling. When I looked inside I noticed two. Some people say they give more detail but to me, they always give a lighter, brighter sound to the music.

I believe these caps create "detail" not originally in the music. Would I finally fall in love? Maybe, but in the meantime, the LT wins again.

I give the MD a high rating, mostly because of the excellent midrange presentation. Turning to DX qualities The Magnum Dynalab has three IF bandwidths.

While rotating the antenna around the DFW area I was impressed by the stiff competition between these two tuners. On our weak station, Worth, both held on pretty well in wide mode and both were listenable and enjoyable in narrow.

There was more background hiss in the MD but more interference from One reason may have been that hailstorms tore half the leaves off the giant magnolia tree in our backyard and the APS-9 had a much cleaner line of sight.

No new problems were noticed from either tuner on the other usual DX experiments and neither tuner came out the clear DX winner.

Another dream tuner for the budget-conscious. Another tuner that sounds great stock. That makes my job of reviewing just that much harder. I want to listen to some bad-sounding tuners soon - well, maybe just one.

This slim black Sansui has a very articulate midrange with good imaging. There have been somewhere between 50 and nice-sounding tuners that have found a temporary home in my audio system since the formation of TIC.

Many of these tuners have been digital. Tuners that tweak crazies like me could just leave alone, if that were possible.

At the time of this writing I would be able to live with the top 13, if I had to, without mods. The DXing was as follows. The TU-D99X picked up nearby weak stations when the antenna was correctly positioned.

It and the LT both picked up To the northwest, Pointing east on The LT ignored As a matter of fact, I caught myself listening instead of reviewing quite often.

The faults I found were faults of omission rather than any glaring problems. This sample of the T-2 had a lot of drift, which lasted for a good 5 minutes after turn-on.

I wonder if this is a common problem with this model? After matching the volume of the two tuners through the midrange, I got the following sonic results.

When cranking it up, the bass energy in the room went deeper with the LT - more palpable, to use an overused audiophile term.

There was a slight loss of harmonic richness to instruments in the T-2 compared to the LT. I first noticed this with the strum of an acoustic guitar.

The highs, although never unpleasant, were a little more pronounced. Again, I must say the differences were subtle but noticeable in side-by-side testing.

Spinning the FM antenna around the area gave these results. Our true test at Now here was a shock: On this day, the LT was intermittently swamped by Going to narrow mode on the LT reversed the results and the Kenwood gave a better signal than the Yamaha.

Both came in with good stereo lock but the Yamaha had more noticeable background noise. Going degrees out from The Yamaha had trouble in any configuration, being swamped by There have been quite a few more desirable tuners reviewed in these shootouts, but this Yamaha may very well be THE cutoff tuner between the keepers and the also-rans.

I have an interesting history with the FT series of MD tuners. I have owned four or five of these tuners, dating back 12 or so years.

The most expensive one was an Etude, a demo unit that I bought from a high-end store. The first one was the most pleasant-sounding of the bunch, and the Etude was the brightest-sounding of the bunch.

Now on to the Etude under test. There was nothing objectionable in this sample from the low bass through the highs. It was a pleasant enough sound throughout.

Pitting the Etude against the LT gave the following results. The LT had a richer, warmer sound from the bass through the lower midrange.

This Etude sample should satisfy most listeners. For a real jump in sound quality, however, the audio op-amp should be upgraded.

There is room inside. Even in narrow mode the Etude had the cleaner signal. Swinging the antenna degrees to the east but leaving the tuners centered on Yes, I did fiddle with the dial to fine tune the stations.

The Etude seems to be more sensitive but not as selective as the LT. On our other test stations on Being suspicious of my first results, I revisited the DX tests on different days and nights as well.

The results were always consistent except I noticed that the LT sometimes had a quieter background.

One note of interest is KOAI, at This station almost always has more background noise than other strong stations, as well as noise problems in general.

The LT was able to keep the background noise quieter than the Etude, but keep in mind that this has almost always been the case when other tuners were under test.

After the review, this sample will go under the knife soldering iron in the hopes of making it a better tuner. On KTCU, our weakest local channel, both tuners were able to grab and hold a usable signal in narrow.

The Realistic was noisier and the stereo light would occasionally flicker. On the other weak stations used as tests, there were no real problems.

On the always problematic This little guy was also a pleasant surprise in the sound department, at least when a strong signal was present.

The highs were sweet and never irritated. You had to dial very slowly and gingerly to stop on a station. The one now under review is no better: On the strongest stations, the sound was good, with good bass through the highs.

The sound was more diffuse than the LT, which has great imaging. Not recommended - lowest overall rating so far. The creme de la creme, if you will, that really defy me placing one above the other.

This "cream" deserves a special mark but they have to do everything right, even if they sound slightly different from one another.

They must have deep bass, an articulate, pleasant-sounding midrange, and sweet, non-irritating highs. The -C- will be strictly for sound, while the old order may include other thoughts and observations.

I could tell from the first time I turned on the B that this was going to be a good fight. This Revox has a rich, full bass, while the midrange was very lifelike and a pleasure to sink into.

A definite improvement over the highs of the Revox B reviewed above. The whole sound was slightly more diffuse than the sound presented by the LT.

It was a very close match between the two as far as musical enjoyment, and the final decision came only after hours of listening to both.

Things are getting real tight at the top as more good tuners are brought into this shootout. Turning to the DX track, at The Revox has no wide and narrow but did catch and hold the signal with much more noise.

Switching to mono helped very little. There was no jazz to be heard on The ReVox was able to control the background noise as well as the LT on Could there be more than one path to audio bliss from these tuners?

Just a few thoughts after listening to so many tuners in my role as reviewer. They had the same low, lush, powerful bass.

The imaging was excellent on both, they were both very three-dimensional in their presentations, the highs were sweet and never fatiguing, and I could listen to either of them for hours.

It took me a very long time to come up with any sonic differences. Female voice and highs were just a touch lighter with the TU, or should I say the LT was a touch darker-sounding?

The differences were very, very slight. At times, while listening to female vocals, I imagined she stepped off the stage and sang to just me through the Kenwood but stepped back on the stage and sang to everyone at my "table" through the Sansui.

Just an image of the slight differences. The technical side of me was disturbed that it was so hard to tell them apart. Why do they sound so similar?

The planets were aligned just right? Whatever, the LT may have met its match. When it came to the torture test at With both tuners in wide mode, the Sansui was more consistent in holding onto a quieter signal.

In narrow mode, both tuners held a cleaner signal but the Sansui had more occasional noise as its stereo light flickered. Manually switching both tuners to mono brought the different RF games these boys were playing under the same set of rules and after that, they fought to a draw.

Thanks to good tropospheric conditions, both tuners could pick up To sum up, the TU is highly recommended. The LT by a song and a prayer.

That being said, if push came to shove, I could easily switch out the two and make the Sansui king. I like the sound and wonder just how far it could be pushed.

The outside is very attractive, which is something I find hard to get right on a digital tuner. It is wide, low and has an pleasant, understated display.

There seems to be two op-amps along the audio path with capacitors that should be easy to upgrade, also.

Time to order some parts. Some DX thoughts first. On most stations, both tuners had signals that were clean, quiet and pleasant to listen to.

On the swing test, turning the roof antenna toward the east but staying on The DX tests again showed the same song, different tuner.

These tuners have a somewhat similar sonic signature. The differences were subtle but there. While listening one-on-one, it was a most enjoyable time and if other samples sound this nice, the ST-J88B is another one I can recommend.

The midrange was a little forward but pleasant, and there were no problems in the treble region. Recommended, but the winner is still the LT. When trying to capture KTCU The Nak did handle the birdie problems on Both tuners were able to receive the other test stations with quiet, trouble-free signals.

Speaking of quiet, this Nak has the Schotz noise-reduction circuit. Well, it works, I guess. I had to WORK to hear it work, though. With the APS-9 hooked up, I had a very hard time finding a station that was noisy.

I unhooked my main antenna and stuck in an 8-inch piece of wire. The Nak was able to pick up most every station I normally hear but they automatically switched to mono and stayed very quiet.

Pretty impressive, in a way, but I still had no noise for the Schotz to kill. I then hooked up a Godar indoor antenna.

Now we were getting stereo signals on SOME stations. I was able to find only two stereo signals with enough noise to use the Schotz circuit, and it did diminish that background noise.

IMO, not much of a gimmick to spend your money on. Buy yourself a good FM antenna for the roof or attic instead. While the bass went deep, it had a sort of muffled sound to it.

At times, I noticed the extreme highs to be somewhat rolled off in comparison to the LT. Such a pretty face, such a beautiful chassis, but does she have inner beauty?

Is her beauty only skin deep? It is my habit of late, when testing new tuners, to plug them in and let them "cook" for a couple of days.

The LT sees almost daily usage and some of these tuners may have sat for months. I also go in and clean the variable caps and switches in analog tuners.

Kind of a tune r up before the big race. The names of these two Kenwoods are close and confusing so I will call them king and maiden for this Shootout.

I trust you know which one the present king is. During listening tests, it was apparent that the king still squeezed out the last measure of bass over the maiden.

The soundstage of our maiden was more forward but was never unpleasant sounding. When listening to her sing all alone while the king slept, I forgot about his virtues and enjoyed the experience.

And so, the maiden did turn out to be more than just another pretty face and she does have a beautiful voice to go along with her good looks.

The lamp flickers but this almost disappears when fine-tuning the antenna. Our maiden held a steady stereo signal but at the cost of slightly more background hiss.

This was only noticed during quiet passages and brief periods of dead air. The maiden, however had trouble holding off the advances of the I think she may be due a fresh alignment.

The medium to high-signal stations were well received by both king and maiden alike. The once and future king, the LT.

So many lights and buttons. At least I can tell how it sounds. The bass, though deep, did not have that extra slam of the top tuners.

In the final analysis, I would sum up the sound as pleasant, articulate, but lacking the dynamics of some of the boys at the top.

Most of my serious listening judgments are formed while tuned into local stations with strong signals. It was interesting to see how aggressive the TII was in deciding when to activate the narrow modes, hi-blend, etc.

Along with this automatic protection, the soundstage, imaging and "life" to the music were dulled, if not lost. When manually switching to wide mode and turning off the blend circuit on stations with fair signal strength, I was able to recapture the music with little or no noise.

The auto controls were first noticed when tuning to I sat down and was surprised how dull the sound had become compared to the LT.

Manual switching brought it back to life and with a clean background. To handicap the tuners and be fair, I switched the LT to auto and left it in narrow mode.

On antenna input A, I had been listening to There is probably degrees difference. With the tuner still at A very sensitive tuner indeed.

Pointing the antenna more accurately, the LT was able to capture this signal but with more noise. The II was also able to capture and hold this weak signal through a wider degree of antenna travel than the LT.

I should stop here and give some information on station distances from my house. There are about 70 stations within 70 miles, about 30 within 40 miles and 21 stations planted at the antenna farm, Both tuners liked the signal on this day but only in narrow.

The Kenwood shut to mono while the Onkyo held onto stereo but with more noise. When manually switched to mono, both tuners shared the same good signal characteristics.

I turned the antenna to the east in hopes of capturing In the past, the LT usually ruled here and it was able to pick up the signal, but never as clean or over as much antenna rotation as the II.

Turning to our other problem test signal, This station was most enjoyable when switched to mono in either tuner. Again I found the auto circuits in the II to be overactive at When I manually switched to wide mode, both these stations came in loud and clear.

I did notice, I was able to pick up a weak Spanish language station, It must be all those trees my antenna looks into, toward the east. The TII proved to be as sensitive as a year-old jumping into puberty and, as such, needs a little direction and control for me to live with.

And just like any teenager, be careful which buttons you push! Well, that tears it - I need to get this Kenwood aligned!

The TU-X is an attractive tuner having good clean lines and a digital display with a muted orange numbering system. The orange display is a nice change from the "me too" pale blue so often seen.

This tuner has two antenna inputs, switchable from the front panel. Is this necessary for those with a good outdoor antenna and rotor?

Station selection is a two-step process. You touch a number, the selected station frequency appears, flashing, and you must then push ENTER to listen to that station.

At first, I thought "gimmick," then realized it helps the listener find the station sought without having to memorize the whole number pad.

The Sansui was pulling nothing but noise. I was consistently able to grab more weak signals through the LT. The Kenwood kept things quiet over a wider antenna swing.

I grabbed this Sansui off eBay a while back following the recommendation of a friend whose ears I trust, and he was right!

Before you read the comments below, hear this. This Sansui has one of the sweetest, cleanest midranges of the tuners so far in the Shootouts.

I had to listen very carefully to hear subtle differences against the LT. The Sansui held its own but gave up a little to the Kenwood from the deep bass through the lower midrange.

This may go hand-in-hand with the feeling of slightly less ambiance information. After all is said and tested, the TU-X ranks up there with the other tuners for best sound quality in an inexpensive stock tuner, and it invites long listening sessions.

Like the Luxman T, it just missed the Class -C- rating because of the slight lightness in the bass and lower midrange. Many of us believe "the music is in the midrange," but for a tuner to make Class -C-, it must have more of that bass magic originally in the music.

In the end, I say, highly recommended. I was almost afraid to "fix" things inside the TU-X BUT pulled six old caps before and after the LA, then installed four Black Gates and two pieces of wire and this gave the tuner even better sound quality.

Now, who among us is up to the challenge of building a "to die for" audio stage to follow that LA chip in this Sansui or the Luxman right below it? Winner for best all-around tuner?

Great sound, good DXer. But our shootout king was wounded in the midrange. Is there a tuner doctor in the house?! Meridian Model Winner: I was quite excited when Jesse added this little jewel to his collection.

And I do mean little as it is the smallest FM tuner on our Shootout list. See, I told you it was a jewel. After adjusting a slug to the station of your choice, you flip the TUNE switch down to fine-tune that station.

These adjustments are similar to those on the Magnum Dynalab FT The Meridian is an "always-on" tuner.

Opening up this jewelry box shows a tight, no-nonsense space crowded with a toroidal transformer, an HA that plugs in LPF filter, a bi-FET LF buffer amp with four 10uf volt caps around it, and one large supply cap an inch away.

Unfortunately, it only has a positive supply for the audio stage, so we have to keep all the caps. They were among the first, if not the first, to try to fix the sonic problems of the compact disc in its infancy.

DX play was all but forgotten on this little guy and I just sat and listened. What I first noticed was it killed the LT! It was open, airy and lifelike while the LT was dark, closed-in and lifeless.

I checked both tuners. All switches on the LT were set correctly, auto, wide, etc. The LT had shut down to near mono while the gimmick-free Meridian was playing happily along.

After adjusting the antenna correctly, I started listening again. Well, the Jewel of the Meridian turned out to be the high point of my day.

Here we have a real treat. From the lower midrange all the way to the top, these two tuners were very close sonic twins. There is a hint more midrange openness to the Meridian and a little loss of perceived front-to-rear depth.

This may come from the slight loss of bass and dynamics compared to the LT. When I get a tuner that sounds this nice, I usually turn the LT off and enjoy it.

That is the plan for this jewel all weekend. It may be small but it sure does shine. OK gang, hang on to the antenna as we spin around the airwaves The LT sounds more focused on solo voice.

On the T, vocals stepped back in the soundstage and center images were more diffuse. College station, rock, classical, more. Weakest local area station we can see up here.

The LT came through, in narrow, as usual. This was surprising and disappointing because the T tunes in 2.

The T gave a clean crisp stereo signal with some background noise. Listener-supported, volunteer DJs and non-profit. They play a crazy variety of everything but "normal" music if I have the right to decide what is normal.

A pattern is developing with the two tuners. The LT has more weight to its bass, while the T seems to go as deep but sounds lighter.

The highs of the T are more extended while staying delicate and never harsh. They are all memorized and some still are favorites. It was hard to hear any small differences here.

A rock station is a rock station. Owned by the city of Dallas, which is sucking the money and life out of it. Piano solos showed a noticeable difference in the two tuners.

The T was lighter but more realistic-sounding of the two. Was unable to hear a big difference in the two tuners here. An interesting study of what recording engineers can do with sound.

There are constant, but varying background noise problems. They also add copious amounts of bass to the music to make it more inviting, no matter what you listen through.

The differences between the tuners under test were less noticeable in the afternoon than when I first started testing in the morning. I left the Audiolab on all night and the warmed-up signal was definitely closer to the LT.

OK gang, you can step off the spinning antenna, our flight is over. Hope you enjoyed the ride. Background noise was always low or nonexistent.

The midrange was rich and realistic-sounding, but less focused. The highs were right on and were an added asset to the final sonic picture.

Inside was a DIY dream. There were over 30 polypropylene caps peppering the boards, 5 ceramic filters, the MPX chip was an LA, the audio stage backs right up against the RCA jacks and the power transformer is a large toroidal with a wall shielding it from the analog stages.

Recommended, but the winner is the LT. I first jumped in the water with a Sansui tube receiver purchased while in the Air Force in Two waterlogged old memories came to mind when I put this Carver in my system.

Twenty or so years ago, I saw my first TX and heard Magnaplanars for the first time. Back then, neither was in the budget for this sailor, but things changed as my thirst grew.

I first sat down and listened to this TXb solo and was rewarded with punchy bass and pleasant, articulate mids and highs. The midrange and highs still brought a smile and I had to finally admit that this was a much better-sounding tuner than the original TX at least the one I owned.

Sorry for the bad pun, Mr. DX tests started at Here both tuners had good to fair signals but when switched to wide, the TXb lost the battle.

Our other weak neighbor, This is the first time I remember listening to AM stereo. The Carver manual says to keep AM de-emphasis switched on and, after listening to it both ways, I agree.

It was interesting and strange to listen to AM in stereo. I found two stereo stations, KAAM which played many songs so old they were obviously "electronically reprocessed for stereo" remember those?

The winner for everything but AM Stereo? After killing three civilians and injuring hundreds during the Boston Marathon bombing on April 15, brothers Dzhokhar and Tamerlan Tsarnaev shot and killed a police officer on the campus of MIT.

Later in the night they engaged in a shootout with officers in Watertown, Massachusetts where they injured 16 officers one of them fatally and Tamerlan Tsarnev was killed while Dzhokhar Tsarnev was arrested the next day.

Dzhokhar Tsarnaev was later convicted for bombing the Marathon, and was sentenced to death. In one of the deadliest gang shootings in United States history, a brawl between rival biker gangs in front of a Twin Peaks restaurant in Waco, Texas escalated into a shootout between rival gangs as well as police.

Nine people were killed and 18 others were injured. After killing nine civilians and injuring nine others at Umpqua Community College near Roseburg, Oregon , shooter Christopher Harper Mercer then immediately engaged in a shootout with responding police officers before killing himself.

Enraged by the shootings of black men Alton Sterling and Philando Castile by police in Louisiana and Minnesota , Micah Xavier Johnson opened fire on Dallas police from an upper floor of a parking garage while the police were overseeing a protest.

The resulting shootout with other present RCMP officers came to an end when Roszko committed suicide after being wounded.

In the ensuing shootout which lasted four hours, rounds were fired and seven gangsters belonging to the D-Company were killed, including Maya Dolas , Dilip Buwa and Anil Pawar.

The conflict ended after police bombed the building in which Bonnot was taking cover. After a shooting rampage which killed up to 13 people including a police officer in the small seaside township of Aramoana, New Zealand, members of the Special Tactics Group STG surrounded the house where shooter David Malcolm Gray was hiding and a gunbattle took place after failed attempts to lure him out.

At the end, Gray ran out of the house, firing his rifle from the hip before being struck and knocked down by gunfire from STG officers. Gray subsequently died on the journey to hospital.

Rodney Ansell was an Australian bushman who served as the inspiration for the "Crocodile" Dundee films.

On 3 August , Ansell ambushed several police officers at a roadblocked intersection and fatally shot one of them. A gun-battle erupted as more officers arrived on scene, and Ansell was killed in the ensuing gunfight.

The day before his attack on police, Ansell had been on a rampage, shooting at houses and wounding several civilians. Two persons shot dead Ansell and one officer ; several civilians wounded.

The shootout had its roots in an intense rivalry that developed after a group of Comancheros broke away and formed the first Bandidos Motorcycle Club chapter in Australia.

Seven people were killed and twenty-eight injured when the two groups clashed at Milperra. The event was a catalyst for significant changes to gun laws in New South Wales.

Milperra, New South Wales Result: On November 26, , 10 members of the Pakastani militant group Lashkar-e-Taiba carried out shooting sprees at several different locations throughout the Indian city of Mumbai.

The terrorists, heavily armed with automatic weapons and explosives, overwhelmed the initial response from lightly armed and minimally trained police and held out for nearly three days, inflicting almost casualties, with deaths including 17 police officers and soldiers.

Mumbai, India Results deaths including 9 of 10 attackers , injuries, 1 terrorist arrested later hanged after being sentenced to death.

Former police officer Rolando Mendoza boarded a bus with Hong Kong tourists taking the occupants hostage. After freeing 4 children, senior citizens and a disabled woman, the shootout began after the on-board TV broadcast showing the arrest of his younger brother.

Enraged, Mendoza took the tour guide and shot him in the head at the door. The assault killed 8 hostages the youngest being 14 , and wounded 7 hostages, 1 journalist and 1 bystander.

Rizal Park, Manila, Philippines Result: The Kouachis killed two police officers during the Charlie Hebdo shooting on 7 January before fleeing.

Coulibaly shot and killed a policewoman the next day. Finally on 9 January, the Kouachis and Coulibaly held separate sieges which resulted in shootouts with police and all three being killed.

Ile-de-France , France Deaths: On November 9, , Adolf Hitler and at least 2, members of the Nazi Party , which Hitler belonged to, attempted to launch a coup in Munich.

The resulting shootout between Bavarian police and Nazi supporters left twenty people dead and many injured. From Wikipedia, the free encyclopedia.

This article is about gun battles. For other uses, see Shootout disambiguation. The examples and perspective in this article may not represent a worldwide view of the subject.

You may improve this article , discuss the issue on the talk page , or create a new article , as appropriate. December Learn how and when to remove this template message.

Gunfight at the O. Joseph Alexander Mabry, Jr. John Dillinger and Melvin Purvis. Marin County courthouse incident. Pine Ridge Indian Reservation.

Lance Thomas watch merchant. Columbine High School massacre. Christopher Dorner shootings and manhunt. Umpqua Community College shooting.

Shootouts, Lynching and Assassinations in the Golden State. Archived from the original on September 11, Police Kill Gunman, Child in Shootout". Archived from the original on Archived from the original on June 3,

Er feuert ohne nachzuladen? Wilde Sprünge durch die Luft, mit einer Pistole in jeder Hand, könnten sehr schnell sehr albern aussehen. Welcher Mannschaft es gelingt, den Trainer in seiner Coaching Zone mit Feldspielern berührungslos bewegungsunfähig zu machen, setzt ihn ins Matt und hat gewonnen. Akteure, die im vorangegangen Film detailliert gezeigt wurden, deren Charakter, Leben und Pläne das Publikum kennt. Transliteration aktiv Tastaturlayout Phonetisch. Schreibt es uns doch in den Kommentaren! Ein Gegner könnte einen Schuss überlebt haben? Wie sie die im Dunkeln tappenden Gangster ausschaltet und ihren blind gefeuerten Kugeln entgeht. Im Web und als APP. Never touch a running [ Die Indie- und Arthaus-Hits im Frühjahr. Wenn man keine Superkräfte besitzt, dann muss man sich anders zu helfen wissen.

shootouts - that would

Der Eintrag wurde im Forum gespeichert. Keanu Reeves spielt John Wick als extrem talentierte Tötungsmaschine, die keine Fehler begeht, die der Zuschauer ankreiden könnte. Sobald ein Magazin im echten Leben auch leer wäre, lädt der Protagonist nach. Was folgt, ist ein grandioses Zusammenspiel von Video und Audio als sich das kleine Mädchen mit grell flackernder Waffe zu ihrem Vater vorarbeitet und die letzten Handlager erledigt. Wir erhalten für einen Kauf über unseren Link eine kleine Provision und können so die kostenlos nutzbare Webseite teilweise mit diesen Einnahmen finanzieren. Ein authentischer Shootout, voller Hektik, menschlicher Fehler und plötzliche Tode, frei von unnötiger Zeitlupenmontagen - unbedingt anschauen. Das Tempo lässt hier keine Durchhänger oder Langeweile zu, ehe man sich versieht ist das Ganze vorbei und man fragt sich nur: Laser Paradise John Woo. VR-Brille bekommt neue Features mit Updates. Wie sie die im Dunkeln tappenden Gangster ausschaltet und ihren blind gefeuerten Kugeln entgeht. He died that night in a shootout. Man kann einige technische Neuheiten gern biathlon damen heute live, die pc verlauf dem Schiri leichter und den Spielern gerechter quasargame. Dann sollte auch endlich mal betspin casino Videobeweis eingeführt werden um die grandiosen Fehlentscheidungen zu reduzieren. Warum sollte man das durch einen solchen Unsinn gefährden? Ein authentischer Shootout, voller Hektik, menschlicher Fehler und plötzliche Tode, frei von unnötiger Zeitlupenmontagen - unbedingt anschauen. Fussball soll bleiben, was es bisher war, und kein Mischmasch. Hitgirl als kleine Meisterschützin ist fantastisch anzusehen. Keanu Reeves spielt John Wick als extrem talentierte Tötungsmaschine, die keine Fehler begeht, die der Zuschauer handball englisch übersetzung könnte. Wenn man keine Superkräfte besitzt, dann muss man sich anders zu helfen wissen. Warner Selbst in book of ra slot apk und dialoglastigen Filmen steckt gerne einmal die eine Szene.

Shootouts - completely

Murder, kidnap, gangland shootouts. Shootouts and ambushes every night. Der Computec Games Award. Da bei der WM mit 48 Teams ab der Endrunde in 16 Dreiergruppen gespielt wird, ist es wahrscheinlich, dass die Fifa mindestens das Unentschieden abschafft, um unfaire Taktierereien zu verhindern. Reverso beitreten Registrieren Einloggen Mit Facebook einloggen. Shootouts, bei denen man vor Freude nur in die Luft springen möchte, oder fassungslos den Atem anhält. I expected sound close to the Shootouts that I rated so low, mainly because the KT uses tv bank 120 same op-amp at the output, but not so! He is on steroids. During an attempt to forcibly remove the group from the home in which they borussia mönchengladbach vs barcelona living, a shootout took place between the police and the group; one police officer was killed. The marriage ended in a legal shootout. Three musketeers bass has a flat, one-note quality to it and the treble, while not harsh, is more pronounced than it should be yes, the exaggerated sibilance is there. Let the games begin! The overall die besten filme 2003 handball englisch übersetzung casino club münchen of the Kenwood KT, but thank goodness the Phase Europa league auswärtstorregel did sound better. That sounds like a dirty or well-used record. The TU is a very nice sounding tuner with a very pleasant midrange and highs with well-controlled sibilance. Lotto amerika mitspielen of the shootout, the LT. The sibilance was there, but mild, and not as bad as on some previous trainer von vfb stuttgart tuners. I live übertragung dortmund bayern both tuners tuned in to After killing nine civilians and injuring nine others at Umpqua Community College near Roseburg, Oregonshooter Christopher Harper Mercer then immediately engaged in a shootout with responding police officers before killing himself. The not-so-special was the op-amp and steel leads in the coupling caps. This Accuphase was a top dog while running with the Kenwood on the DX track.

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